First, the script.
Screen 3: Divided down the center, horizontally, into two panels. The first shows a high-angle shot of two men getting out of the car, both of them wearing tan barn coats and jeans. There is a real similarity to them, accentuated by this angle. The man on the driver’s side has slightly lighter hair.
Narrator (figure on driver’s side): I suppose we could just stay the night here.
Panel 2: Close-up of Nick’s face. It is a handsome, chiseled face, with an ugly expression on it of anger.
Nick: Since we’re lost and won’t make LA inside of five hours, why not?
Caption: I would just as soon have driven all night. The place was a dump, and I fully expected to see a cockroach making lazy circles in the sink in the room. But it was almostCesar roughs the panel out in this thumbnail:
1 in the morning, and I was practically falling asleep at the wheel.
The care that Cesar takes with the characters is amazing, especially in the panel 2 close-up:
But the inks are, on this panel, transformative:
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